 Name:verner panton
Year:1926-1998
Country:Denmark
VERNER PANTON (1926-1998) was a master of the fluid, futuristic style of 1960s design which introduced the Pop aesthetic to furniture and interiors. Born in Denmark, he made his name there before settling in Switzerland in the 1960s.
During the ‘Beat’ years of the mid-1950s, young European artists and writers bought battered old camper vans to travel across the continent. One of the oddest-looking of these vans was the Volkswagen belonging to Verner Panton, a young Danish architect, who had customised it into a mobile studio.
Every few months, Panton set off from Copenhagen in the Volkswagen for a trek across Europe dropping in on fellow designers as well as any manufacturers or distributors which he hoped would buy his work. Famed like the rest of Scandinavia for its organic modernist designs, Denmark was then at the centre of the contemporary design scene. Yet Verner Panton’s style could not have been more different from the soft, naturalistic forms and materials which were the hallmarks of Danish modernism. He knew that he would have to look further afield to win acceptance for his work.
Panton had close links with many of the most important Danish designers of that era. P?ul Henningsen, the lighting designer, had taught him at Copenhagen’s Royal Academy of Art. After graduating, he had worked for Denmark’s architectural grandee, Arne Jacobsen. Panton also enjoyed a close friendship with designer-craftsman, Hans Wegner. But whereas Wegner was famed for his skill at modernising classic Danish teak chairs, Panton’s passion lay in experiments with plastics and other rapidly advancing man-made materials to create vibrant colours in the geometric forms of Pop Art.
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 Designer:Verner Panton
Year:1959
Verner Panton first came to international fame with his Cone Chairs. These extra-vagant designs seemed to defy the laws of stability, and are considered the first examples of Panton′s work where he was typically experimental and witty -traits that were to become hallmarks of his work. In the case of Wire Cone Chair, the body of the chair is made of intertwined, spot-welded steel wire. The wire grid, left exposed causing its visual appearance to change with the light or angle, ensures that the armchair appears transparent, elegant and light. At the same time, the conical form is astonishingly precise. The two upholstery elements create a colour contrast in the midst of the silver-grey wire structure and continue Panton′splayful approach to basic geometric forms.
Materials: nickel-plated steel wire, polished finish; seat and back cushion: polyurethane foam and polyester batting; cruciform base: stainless steel, satin finish.
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